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18-19 5B WONG TSUNG YAN, WONG YAT FEI, XIANG YIFAN, YEUNG MAN LEONG Architecture 3D design 100x150x150 mm each
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20-21 1D HO KYENOR 160th Anniversary Logo Design Colour pencil on paper 250x200 mm
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20-21 5C CHEN KING SHING KINGSON City Japan pastel Nagomi art 150x150 mm
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16-17 4A CHU WAI CHAK VICTOR A Rainforest Inside a Cave Acrylics on paper 594x420 mm
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16-17 4A CHU WAI CHAK VICTOR Tranquil Contemplation Acrylics on paper 594x420 mm
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16-17 4D LI HOI SING A rainforest inside a cave Acrylics on paper 594x420 mm
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16-17 4D LI HOI SING King of Warrior Acrylics on paper 594x420 mm
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17-18 5A CHU WAI CHAK VICTOR Performers in an Amusement Park Mixed media 594x420 mm
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18-19 3A CHEN KING SHING KINGSON
Care for the Coral Reefs
Watercolour on paper 420x297 mm
(3rd Class Honours of Hong Kong and International Competitions of International Year of Reef 2018 held by Po Leung Kuk)
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18-19 3C LEE MING HO
Slope Maintenance
Mixed media on paper 420x297 mm
(Merit of Slope Maintenance Slogan and Poster Design Competition held by The Geotechnical Engineering Office, Civil Engineering and Development Department)
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18-19 5A LAI CHIN YAT KEEFER Hands, Feet, Splashes of Water and Ditch Acrylic on paper 420x594 mm
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18-19 5B CHOW SHEUNG YAN, FUNG KA LONG, HUI PAK YIU, KWOK CHIN TSUN LOWELL Architecture 3D Design 100x150x150 mm each
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19-20 1A CAO GUAN WU, 1A TANG CHI HON Angel & Demon Sculpture 5x14x10cm
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19-20 1A CHEUNG KING HEI, 1A LAM YAT HEI Guardians Sculpture 10x20x20cm
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19-20 1A LAM CHAK SAN, 1A LO CHUN SHING Twins Sculpture 7x23x20cm
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19-20 1B CHUNG CHEUK FUNG
Brotherhood
Folder design 210x297 mm
(Champion of Folder Design Competition held by QC)
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19-20 1B CHUNG CHEUK FUNG
Love Connects
Painting 210x297 mm
(First-Runner Up in Love Connects Drawing Competition organized by the Macao Institute for Tourism Studies Tourism Event Management Year 3)
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19-20 1C CHAN SHING CHAK TERENCE
Epidemic Precaution
Card Design 210x297 mm
(Merit in ‘Caring With One Heart 「你我同心，共展關懷」' Card Design Competition organised by the Hong Kong Future Association)
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19-20 1C CHAN SHING CHAK TERENCE Mascot of Epidemic Precaution Design Poster colour on paper 240x240 mm
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19-20 1C CHEUNG PUI SUM
Mascot of Epidemic Precaution Design
Poster colour on paper 220x220 mm
(Merit of HK News-Expo Mascot Design Competition organized by the Hong Kong News-Expo)
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19-20 1C LEE PAK HEI
Brotherhood
Folder Design 210x297 mm
(First Runner-up of Folder Design Competition held by QC)
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19-20 1C LEE PAK HEI
Epidemic Precaution
Card design 210x297 mm
(Champion in Card Design Competition organized by the Hong Kong Future Association)
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19-20 1C LEE PAK HEI Mascot of Epidemic Precaution Design Poster colour on paper 200x220 mm
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19-20 1D LAM PAKIU ERNEST
Mascot of Epidemic Precaution Design
Poster colour on paper 200x150 mm
(Merit of HK News-Expo Mascot Design Competition organised by the Hong Kong News-Expo)
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19-20 1D LAM PAKIU ERNEST Mascot of Epidemic Precaution Paintng 210x297 mm
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19-20 1D LAM PAKIU ERNEST
Gratitude
Folder Design 210x297 mm
(Second Runner-up of Folder Design Competition held by QC)
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19-20 2A CHU CHING HO Apples Drawing 210x297 mm
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19-20 2A IP CHEUK LAM JULIAN Apple Drawing 210x297 mm
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19-20 2A IP CHEUK LAM JULIAN Gratitude Painting 210x297 mm
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19-20 2A IP CHEUK LAM JULIAN Disguise T-Rex Sculpture 200x150x150 mm
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19-20 2A LOK CHUN MAN Gratitude Painting 210x297 mm
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19-20 2A SZE KWAN HO Love Connects Painting 210x297 mm
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19-20 2B CHAN LIK WAI Disguise Portrait Sculpture 200x200x250 mm
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19-20 2B LAM WANG CHUNG Coca Cola Poster colours on paper 210x297 mm
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19-20 2B YU CHEUK KEI Disguise Turtle Sculpture 100x200x200 mm
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19-20 2C CHEN KYLE Disguise Porcupine Sculpture 200x200x250 mm
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19-20 2C CHEN KYLE Love Connects Painting 210x297 mm
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19-20 2C CHOU KAI HIM Disguise T-Rex Sculpture 200x220x250 mm
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19-20 2D IP HO WANG Disguise COVID19 Sculpture 250x250x250 mm
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19-20 2D LUK WING TO Disguise Tree Sculpture 220x180x180 mm
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19-20 3A OR KING NANG
Listen to Yourself Wonder from Home
Poster colour on paper 420x297 mm
(Top 5 in Listen to Yourself Wonder from Home Art Competition held by The Hong Kong Baptist University)
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19-20 3B CHAN WAI FUNG My School Life Mixed media on canvas 420x297 mm
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19-20 3B CHEUNG PUI KWONG My School Life Mixed media on canvas 420x297 mm
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19-20 3B POON MAN TO My School Life Mixed media on canvas 420x297 mm
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19-20 3C LAW CHAK KA Protect HK Marine Environment Mixed media on paper 420x297 mm
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19-20 3C LAW CHAK KA Love Connects Poster colours on paper 420×297 mm
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19-20 3C LAW CHAK KA My School Life Mixed media on canvas 420x297 mm
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19-20 3C YIP CHEUK LAM Love Connects Digital graphics 210x297 mm
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19-20 3D YEUNG HO EDEN My School Life Mixed media on canvas 420x297 mm
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19-20 4A CHAN SAN HON
Protect HK Marine Environment
Digital graphics 420x297 mm
(Outstanding Award in Protect HK Marine Environment 4-Panel Comic Drawing Competition 2019 organised by The Agriculture, Fisheries and Conservation Department)
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19-20 4D LOK YIN CHUN We Fight the Virus Together Digital graphics 210x297 mm
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20-21
4A CHEUNG KA MING 4A LIANG BOHDAN DING QUAN 4B CHAN KING SUM
4B CHENG TSZ LONG 4B CHEUNG CHAM MAN JUSTIN 4B CHEUNG YEE HIM 4B TSE LEUNG SHONG VITO
4D TSUI YU SING 4D ZHENG DEMING 5C CHEN KING SHING KINGSON
Zentangle Marker on card paper 114x114 mm each
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20-21 1A CHAN LOK HEI
Moral Education
Comics 210x297 mm
(Outstanding Award and Most Popular Award in 笑踏多元共融路 校園嘉許活動 九龍西區扶輪社及青年薈萃)
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20-21 1A CHAN LOK HEI
Brotherhood
Folder Design 210x297 mm
(First Runner-up in Folder Design Competition held by QC)
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20-21 1A CHENG YU MING Association of Lines Mixed media 210x297x30 mm
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20-21 1A LEE CHEUK YU Moral Education Comics 210x297 mm
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20-21 1A LEUNG HO CHING ETHAN .Still Life Drawing. 210x297 mm
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20-21 1A LEUNG HO CHING ETHAN
Folder Design
210x297 mm
(2nd Runner Up of Folder Design Competition held by QC)
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20-21 1A LEUNG HO CHING ETHAN 160th Anniversary Logo Design Digital graphics 220x280 mm
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20-21 1A LEUNG HO CHING ETHAN Still Life Drawing 210x297 mm
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20-21 1A TONG MING TAK Animals in Landscape Painting 210x297 mm
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20-21 1B CHAN CHING KIU Animals in Landscape Painting 210x297 mm
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20-21 1C KWOK GAWEN Moral Education Comics 210x297 mm
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20-21 1C NG YU SING Animals in Landscape Painting 210x297 mm
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20-21 1C TAM PAK LONG Animals in Landscape Painting 210x297 mm
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20-21 1C WONG TSZ CHIT Animals in Landscape Painting 210x297 mm
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20-21 1D HO KYENOR
Brotherhood
Folder design 210x297 mm
(Champion of Folder Design Competition held by QC)
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20-21 1D HO KYENOR Animals in Landscape Painting 210x297 mm
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20-21 1D NG CHIT MING Animals in Landscape Painting 210x297 mm
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20-21 1D NG CHIT MING Moral Education Comics 210x297 mm
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20-21 2B CHAN IAN Scenario of a Story Paper sculpture 220x220x297 mm
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20-21 2B CHAN SHING CHAK Gratitude Mouse pad design 297x420 mm
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20-21 2B CHEUNG PUI SUM Scenario of a Story Paper sculpture 300x300x297 mm
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20-21 2C PANG KAI SUI Gratitude Mouse pad design 297x210 mm
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20-21 2C SIU CHUN YU Scenario of a Story Paper sculpture 297x420x420 mm
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20-21 2D CHENG WAI HO Scenario of a Story Drawing 210x297 mm
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20-21 2D CHUNG CHEUK FUNG
Population Census WhatsApp Sticker Design
(Distinguished Prize of 2021 Population Census Mobile Messaging Application Sticker Design Competition for Secondary School Students organized by the Census and Statistics Department)
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20-21 2D CHUNG CHEUK FUNG
Still-life
Water colour on paper 210x297 mm
(Silver Award in Superior Culture Annual Painting Competition organized by Superior Culture)
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20-21 2D LEE PAK HEI Perseverance Mouse pad design 297x420 mm
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20-21 2D LEE PAK HEI Scenario of a Story Paper sculpture 297x200x200 mm
htmlText_51C008EE_E5C5_022E_41D8_89FCD4734B7D.html =
20-21 2D LI MING FAI
Population Census WhatsApp Sticker Design
(Distinguished Prize of 2021 Population Census Mobile Messaging Application Sticker Design Competition for Secondary School Students organized by Census and Statistics Department)
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20-21 2D SHIH YIU CHEUNG Scenario of a Story Drawing 297x420 mm
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20-21 2D SHIH YIU CHEUNG Still-life Drawing 297x420 mm
htmlText_2F7CC7A8_E5CD_0ED2_41D9_1D9E4A2D0634.html =
20-21 2D TANG CHI HON Good View Fruit Topography Design 297x420 mm
htmlText_51F01255_E5DD_0672_41DC_BDF9D861EF3B.html =
20-21 2D YAN PAK SHING Perseverance Mouse pad design 297x420 mm
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20-21 3A LEE LOK MING
160th Anniversary Logo Design
Digital graphics 250x220 mm
(Champion of the 160th Anniversary Logo Design Competition, Junior Secondary Category held by QC)
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20-21 3B CHU CHING HO Energy Drink Packaging Design Poster colour on paper 297×420 mm
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20-21 3B HO KYEHIM The Griffin Colour pencils on paper 297×420 mm
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20-21 3C CHEN KYLE Orange Packaging Design Poster colour on paper 297x420 mm
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20-21 3C IP CHEUK LAM Visual Presentation of Self Poster colour on paper 297x420 mm
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20-21 3C IP CHEUK LAM JULIAN The Tiger Colour pencils on paper 297x420 mm
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20-21 3D TSE HO YIN Population Census WhatsApp Sticker 1 Digital graphics 200x200 mm
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20-21 3D TSE HO YIN Population Census WhatsApp Sticker 2 Digital graphics 200x200 mm
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20-21 4A CHEUNG KA MING
160th Anniversary Logo Design
Poster colour on paper 150x200 mm
(Second Runner-up of the 160th Anniversary Logo Design Competition, Senior Secondary Category held by QC)
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20-21 4A LIANG BOHDAN DING QUAN Speech Day 2020 Brochure Cover Design Digital graphics 340x260 mm
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20-21 4A LIANG BOHDAN DING QUAN Speech Day 2020 Tuckshop Banner Design Digital graphics 3293x1200 mm
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20-21 4B TSE LEUNG SHONG VITO 4D TSUI YU SING Lines Japan pastel Nagomi art 150x150 mm each
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20-21 4B TSE LEUNG SHONG VITO 4D TSUI YU SING Landscape Japan pastel Nagomi art 150x150 mm each
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20-21 4C LAW CHAK KA
160th Anniversary Logo Design
Poster colour on paper 220x200 mm
(Overall Champion of the 160th Anniversary Logo Design Competition held by QC)
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20-21 4D TSUI YU SING 4D ZHENG DEMING City Japan pastel Nagomi art 150x150 mm each
htmlText_2380CDAD_FF43_02D2_41B5_6DDC1803B100.html =
20-21 5C CHEN KING SHING KINGSON
160th Anniversary Logo Design
Digital graphics 220x180 mm
(First Runner-up of the 160th Anniversary Logo Design Competition, Senior Secondary Category held by QC)
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21-22 1A HO SAN YU Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1A KWOK WAN YIN Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1A LAI PAK HEI Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1A SZE YIK NGAI 160th Anniversary Mask Design Colour pencil on paper 210x297 mm
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21-22 1A SZE YIK NGAI Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1A ZHAO YURAN Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1B KONG SHING YUI Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1B LAW LAI MING Association in the Morning Sun Corner Drawing 210x297 mm
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21-22 1C HUANG TSZ TSUN Present for Alma Mater Painting 297x420 mm
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21-22 1C LEE MING HEI Present for Alma Mater Painting 297x420 mm
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21-22 2B HO KYENOR
Protect Hong Kong Marine Environment 4-Panel Comic Drawing
Mixed media on paper 297x420 mm
(Outstanding Award of Junior Secondary Group organized by The Agriculture, Fisheries and Conservation Department)
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21-22 2B HO KYENOR Impressionist Hong Kong Pastel on paper 297x420 mm
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21-22 2B HO KYENOR
World Cleanup Day
Painting 297x420 mm
(Outstanding Award of Junior Secondary Group in ‘Protect Hong Kong Marine Environment’ 4-Panel Comic Drawing Competition 2021 organized by The Agriculture, Fisheries and Conservation Department)
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21-22 2B HO KYENOR Mask design Colour pencil on paper 297x420 mm
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21-22 2B HO KYENOR Mask design Colour pencil on paper 297x420 mm
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21-22 2B LING TSZ KIT Protect Hong Kong Marine Environment 4-Panel Comic Drawing Mixed media on paper 297x420 mm
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21-22 2B TONG MING TAK 160th Anniversary Mask Design Mixed media 210x297 mm
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21-22 2B YEUNG CHIT 160th Anniversary Mask Design Mixed media 210x297 mm
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21-22 2C CHAN LOK HEI
Animals
Poster colours on paper 297x420 mm
(Gold Award of Youth Division in ‘Hong Kong Junior Arts Award 2021' organized by Hong Kong Child Culture & Arts Association)
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21-22 2C CHAN LOK HEI My Home Colour pencil on paper 297x420 mm
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21-22 2C CHAN LOK HEI Protect Hong Kong Marine Environment 4-Panel Comic Drawing Mixed media on paper 297x420 mm
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21-22 2C LAM PUI FUNG Protect Hong Kong Marine Environment 4-Panel Comic Drawing Mixed media on paper 297x420 mm
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21-22 2C NG CHIT MING Olympic Spirit Mixed media on paper 297x420mm
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21-22 2C NG CHIT MING Protect Hong Kong Marine Environment 4-Panel Comic Drawing Mixed media on paper 297x420 mm
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21-22 2C NG CHIT MING Surrealism Painting Poster colour on paper 297x420 mm
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21-22 2C NG YU SING My Home Poster colour on paper 297x420 mm
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21-22 2C NG YU SING Impressionist Hong Kong Pastel on paper 297x420 mm
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21-22 2D LEE PAK YU Mask design Mixed media 210x297 mm
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21-22 2D ZHANG HING WONG
Protect Hong Kong Marine Environment 4-Panel Comic Drawing
Mixed media on paper 297x420 mm
(Outstanding Award of Junior Secondary Group in Protect Hong Kong Marine Environment organized by The Agriculture, Fisheries and Conservation Department)
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21-22 3C CHAN IAN "Excursion with Paintbrush" Country Parks Colour pencils on paper 420x297 mm
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21-22 3C CHEUNG PUI SUM "Excursion with Paintbrush" Country Parks Mixed media 420x297 mm
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21-22 3C LIU CHUN YIN "Excursion with Paintbrush" Country Parks Mixed media 420x297 mm
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21-22 3C TANG CHI HON "Excursion with Paintbrush" Country Parks Mixed media 420x297 mm
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21-22 3D LEE PAK HEI
"Excursion with Paintbrush" Country Parks
Colour pencils on paper 420x297 mm
(Most Creative Award of Junior Secondary School Group ‘Excursion with Paintbrush’ Country Parks Drawing Competition held by the Agriculture, Fisheries and Conservation Department)
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21-22 4A TSUI YU SING Still Life Drawing 297x420 mm
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21-22 4C CHEUNG HUI SEN Speech Day 2021 School Hall Banner Design Digital graphics 6100x1680 mm
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21-22 4C CHEUNG HUI SEN Speech Day 2021 Welcome Board Design Digital graphics 960x1800 mm
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21-22 4C CHEUNG HUI SEN Still Life Drawing 297x420mm
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21-22 4C HO KYEHIM Polluted Wild Painting 420x594 mm
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21-22 4C HO KYEHIM Still Life Drawing 297x420 mm
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21-22 4C IP CHEUK LAM JULIAN My Dreamland Painting 297x420 mm
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21-22 4C IP CHEUK LAM JULIAN Still Life Drawing 297x420 mm
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21-22 4C LI YIN TING
梁章鉅《楹聯叢話·卷之十一·集字》
毛筆書法
(‘2021全港青少年書畫比賽’ 毛筆書法組冠軍 通善壇)
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飛蝦
Photography
2020
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East Dam
Photography
2020
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Bubbles 沫後 2017/2021 Acrylic and oil on canvas 152 x 91 cm
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Intensity 物極 2016/2021 Acrylic on canvas 122 x 152 cm
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International Financial Centre
Photography
2020
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Miserable City
Photography
2020
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The Unknowns
Acrylic, and mixed media on Canvas
35 x 120 cm X2
75 x 120 cm
47.5 x120 cm X2
2020
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你前來，我過去
Photography
2020
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再見，裕民坊
Photography
2020
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等著等著就老了
Photography
2020
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香港人
Photography
2016
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拜年的印象
Photography
2015
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Western Calligraphy
Lyrics of Our School Song
21-22
First Verse
3D CAO GUANWU 3A CHAN SHING CHAK TERENCE 3A TAI SIU WANG 3A CHEUNG KING HEI
3A CHEUNG KING MAN 3A CHUNG CHEUK FUNG 3D SHUM KA LONG 3A FUNG CHUN KIT
3D XU HANNES 3A YIP HON KWAN 3D CHEUNG TIN YAN 3B WONG SIU FUNG
3D CHUN YUK HEI 3A LAM YAT HEI NICOLAS 3A LAU MAN HONG 3B YEUNG WAI KWAN
3A LEE KUN CHUNG 3D LAM YUI CHIT 3A LEUNG YAT HIN 3A LI MING FAI
3A LIANG PAK HEI MARCUS 3A LIN CHEUK HANG 3A LIN CHEUK HANG 3A LIN CHEUK HANG
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Western Calligraphy
Lyrics of Our School Song
21-22
Second Verse
3B CHENG WAI HO 3B CHEUNG CHEUK YIN 3B CHEUNG HO LONG DANIEL 3B CHOI MAN HO
3B CHOW HOK LAM 3B CHOW YAN CHUNG JASPER 3B CHOY PAK HO 3B KO CHENG XI
3B LAI CHING YIN 3B LAM CHAK SAN 3B LAM PAK HAY 3B LAM PAKIU ERNEST
3B LAM YUK YIN ERIC 3B LI WANG HON JACKY 3B LO CHUN SHING 3B LO TIN CHING
3B YIP LONG YIN 3B NG TSZ HIN 3B ZHANG HO CHAK DENNIS 3B PUK HOI CHUN
3B SHIH YIU CHEUNG 3B SHIH YIU CHEUNG 3B SIU TIN SUN SKY 3D KAN YUET KI
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Western Calligraphy
Lyrics of Our School Song
21-22
Third Verse
3C CHAN HUI CHING SYRUS 3C CHAN IAN 3C TANG CHI HON 3C CHAN KING WANG MARCUS
3C CHEUNG KA HO 3C WAI KA YU 3C CHO CHI KONG CARLTON 3C CHOW MARCUS
3C WONG KA HEI 3C FU SZE HO EDISON 3C HUI BORIS 3C YAU TSUN YIK
3C IP TSZ WING 3C KO YUN TUNG 3C KWOK MAN YAN 3C LAM TSZ HO
3C LEE SUM CHUEN MALCOLM 3C LEUNG KING CHUN KAMIL 3C LIU CHUN YIN 3C LIU YUI HIN
3C LO MAN TO 3C NG WANG KWAN 3C NG WANG KWAN 3C NG WANG KWAN
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Drawing
2021
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Drawing
2021
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Serie 1 Back
作品系列1：《轉身已是最理想的勇悍》
In frame: Yuki Lovey & Noel@Cozy Syndrome
Taken with Pentax KM
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Serie 1 Back
作品系列1：《轉身已是最理想的勇悍》
In frame: Yuki Lovey & Noel@Cozy Syndrome
Taken with Pentax KM
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Serie 2 Touch
作品系列2：《或留住這世界，替我承載艱難》
In frame: Lester Lam & CHOR
Taken with Pentax KM
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Serie 2 Touch
作品系列2：《或留住這世界，替我承載艱難》
In frame: Lester Lam & CHOR
Taken with Pentax KM
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Work 3 Formless
作品3：《未然形》
In frame: Lester Lam
Taken with Pentax KM
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九淵之三十七
水墨金箋紙本
Nine Abysses XXXVII
Ink and colour on gold paper
141 x 75 cm x 2
2022
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九淵之二十二
水墨金箋紙本
Nine Abysses XXII
Ink on gold paper
142 x 73cm x 4
2021
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猛獸出沒 | 2021 | 布面丙烯 | 100cX100cm
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猛獸出沒 | 2021 | 布面丙烯 | 100cmX100cm
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猛獸出沒 | 2021 | 布面丙烯 | 100cmX100cm
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眼花花 | 2021 | 布面丙烯 | 100cmX100cm
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黃龍 Yellow dragon
水墨炭粉紙本
Ink and charcoal on paper
H100 x W60 cm
2019
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黃龍 Yellow dragon
水墨炭粉紙本
Ink and charcoal on paper
H100 x W60 cm
2019
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Elements pulled from cold-blooded animals, humanoid robots and human anatomy are mixed with the use of texture, prints, shapes and lines, to present a mutation of humanity, an unnatural hybrid in the modern times, so to speak. Thermography is referenced in the colour story, the temperature sensitive changes of colour embodies the fluctuation of emotions, with dashes of warm colours amid predominantly cold tones.
The look of exotic animals is adopted both in terms of silhouette and colours: quilting is used to mimic snake skin for example. There are continuous curves throughout to denote emotions running through the body, while piping also depicts an image of a humanoid robot assembled from different parts. Classic wool and basics are applied with contemporary PVC and mesh to create contrasting textures that reflect the juxtaposed past and present.
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As human beings, we live as a group; we do not have the option of choosing who we live with or who we have to deal with; our fate, as well as our relationships, are predetermined. So people might find joy, and relief in the first place, but eventually, bonding becomes frustrations due to the fact that we have no control over. Like the fact that a coin can never have just one side, love is accompanied by a corresponding amount of hatred. This painting captures the struggle we go through when we are trapped in a relationship that we can't get out of or cut ourselves off from.
A Study of Texture
Concrete, and mixed media on Canvas
35 x 83cm
2022
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Ryan Poon, Kirin Leung (Kirin+lab)
Growing Tree
Installation, Bamboo laminate and aluminium strips
2021
The design aims to showcase the beauty of growth in nature through material innovation and invention. The tree was designed with 10 modules scripted in a random yet orderly manner which mimics the order in nature itself. In this project, we have invented a new material especially for this art piece - a special synthetic material made by bamboo laminate and aluminium strips. We used a special production technique to avoid delamination of bamboo on aluminium. The strips combined the strength of bamboo’s elasticity and aluminium’s strength, a perfect material to solve the 10+m long-span issue. The flexibility of the material can also fully express the tree branches’ organic curvy form. Lighting is designed to allow lights to shine through the strips and create beautiful shadows underneath the installation art. 3D fabrication and parametric tools are used in our design process.
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17-18 6C WONG Yat-nok, Jonathan 黃一諾
Both flowers and humans go through different stages in their lives, including birth, growth, maturity and death. Although the lifespan of flowers is much shorter than that of humans, both would inevitably experience all the stages. Flowers and humans are diversified in terms of species and races respectively. The idea that humans are superior to many other species is delusional. We could discover a lot of commonalities between flowers and us, if we are willing to bend over and observe carefully.
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18-19 6A CHU Wai-chak, Victor 朱偉澤
We are living in an era where people always wear a "mask", when they are confronted with a difficult situation or difficulty in the society. At the same time, people's actions and reactions will change in response to their surroundings, resulting in lies, confusion and barriers between people. Drawing inspiration from the shapelessness of the mysterious concept of humanity, I want to explore the infinite unknowns about its nature through the construction of semi-abstract expressional forms in this series of work.
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18-19 6D FAN Ka-mak, Moses 范珈陌
The key focus of the project is the pursuit of lost memories by using local residential typologies as the medium to establish linkages between people and place.
Various public estates and tenements have been demolished and redeveloped, and new estate towers are often built at the same location. As a result, the soul of the places, the community, and the value of people, carrying unique local nostalgia, are disappearing, meaning that the connections between people and place are being severed due to multifaceted reasons such as gentrification. Lost relationships and collective memories may take years to be re-established and may even be permanently lost. I would like to express my despair towards the fading of collective memories.
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19-20 6B LEE Chung-chak Jeff 李宗澤
Depression is a common and serious medical condition that negatively affects how you feel, the way you think and how you act. It seems you are dead inside but you still have to conceal yourself and pretend you are ‘fine’. The fight against depression is a battle that many people need to face. Two ways to carry one through are the appreciation and creation of art and music, which can relieve anxiety and stress.
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日常
電腦繪圖及手繪插圖系列
Everyday
Series of computer aided drawings and hand drawn illustrations
891 x 420 mm x 3
2021
此系列分為三個部分, 分別以空間、 人和物件為主題。
This series of drawings consists of three sections, respectively focusing on documenting space, people and objects.
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KUNG Yick-ho, Alvin 龔翊豪
Alvin KUNG is an architect (Hong Kong and Denmark) and a senior lecturer at the Chu Hai College of Higher Education. Before obtaining his Master degree from the Chinese University of Hong Kong, he was granted scholarships to study at the University of California, Berkeley and the Institute for Advanced Architecture of Catalonia, Barcelona. Alvin’s works were showcased at the Venice Biennale of Architecture in Italy. Alvin was the Chief Curator of Hong Kong Exhibition at the London Festival of Architecture 2019, the recipient of the HKIA Young Architect Award 2018 and the 2021 A&D 40 Under 40 Award as one of the most talented young professionals in the fields of architecture and design.
龔翊豪，香港及丹麥建築師，兼任珠海書院高級講師，碩士畢業於香港中文大學，曾在加州大學柏克萊分校和巴塞隆拿加泰羅尼亞高等建築學院留學。作品曾參與雙年展，亦是2019倫敦建築節香港展的總策展人，並獲得香港建築師學會2018青年建築師獎及2021年度A&D40 Under 40設計獎。
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Communities in the Valley, Ecologies of the Estuary: a symbiotic approach for sea level rise
Design Panel printed on foam board, 594x420mm
2021
Hong Kong Urban Design Awards 2021 – Plan & Concept (Student) Merit
HKILA YLAG 2021 Landscape Academic Design Competition Category C - 1st Runner up
This project examines Tung Chung river valley and bay, an area adjacent to Hong Kong’s International Airport threatened by development, sea level and climate change. The valley is still intact, containing high ecological, hydrological and cultural values. The natural estuary is composed of wetlands, mudflat, mangroves and seagrass habitats and the formal agricultural valley has vanishing villages and abandoned agriculture plots. However, the government’s plan for the Tung Chung New Town Extension in 2024 will impact the existing ecologies of the area by increasing densities, reclaiming the natural coastal edge and neglecting the cultural landscapes of the site.
This project challenges the government proposal by providing a new framework that negotiates between conservation and development. The project proposes long term and short term strategies that integrate housing solutions, land use transitions, adaptive landscape approaches and new forms of recreation. The project takes sea level rise as an opportunity to rethink the coastal edge and its surrounding land use to ultimately create low density developments that provide ecosystem services such as agriculture and coastal mitigation. The proposed strategies bring new economies to neglected village communities and create environmental education and recreational programs that relate to the hydrology and ecology of the site. Rainwater harvesting provides alternative supply during water restrictions and helps maintain a green environment. It also decreases storm water runoff, helping to reduce local flooding.
The site is reexamined in light of climate change effects including changing storm water dynamics and flood regimes, sea-level rise and fresh water resources. The project sets up a 30-year scenario that evaluates the likelihood of sea level rise and the dynamics of the coast and proposes a series of phases that transform and adapt the communities of the valley and the ecologies of the coastal edge to create a symbiotic relationship.
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Mounts Four Seasons
Bamboo and Coloured Filter
18m (L), 8m (W) and 2.4m (H)
DEC 2020
Commissioned by Art Promotion Office; Housed at Trade and Industry Tower, HKSAR Government
Mounts Four Seasons
Mounts Four Seasons can be perceived as four mountain ranges, also mimicking the form of traditional Chinese folding screens. The screens with various layers and porosity marry with the seating that shapes spaces with one another, curating a Chinese landscape painting ambience in a contemporary setting. The artwork creates a resting place which possesses different characters and offers choices from being open to secluded, redefining the lobby space of the Trade and Industry Tower.
Behind the glass curtain wall, the lobby is immersed in plenty of sunlight and the artwork celebrates this superb spatial condition of the venue. Through the mix of coloured fabrics and their relationship to varying sun angles, the screen-like seat backs represent the ‘Four Noble Ones’ - spring orchid, summer bamboo, autumn chrysanthemum and winter plum blossom, which usually refer to the virtues of ancient Chinese literati. These features thus take turns to become the highlight throughout the year, creating a refreshing atmosphere and spatial experience in the premises across four seasons.
As an art installation in a benchmark green building, Mounts Four Seasons not only blends into daylight, the use of bamboo for the structure and decoration advocates appreciation for natural materials. As the artisan of the artwork, local bamboo master Mr Hui Ka-hung also collaborated in the design by weaving patterns symbolizing the ‘Four Noble Ones’, to propagate the art of traditional handicrafts.
四巒有時
《四巒有時》像四重山巒，造型同時糅合了中國屏風的元素。「屏風」疏密有序，結合藝術座椅，相互輝映，互相配合，形成猶如中國山水畫中若隱若現的風景，重新塑造工業貿易大樓的大堂為一個具多元個性且能讓人自在歇息的空間。
玻璃幕牆下，大堂陽光充裕，作品強調了這優秀的空間條件。屏風型的椅背分別呈現「四君子」── 春蘭、夏竹、秋菊、冬梅之特色，透過布藝的顏色配搭和四季的日射角度變化，此「四巒」在一年中輪流成為主調，營造場地四時多變的氛圍及空間體驗。
作為環保建築內的藝術裝置，《四巒有時》除了配合天然光外，亦選用竹作為結構和裝飾物料，表現出對自然的崇尚。負責建造的紮作師傅許嘉雄更參與設計，加插了象徵「四君子」的編織圖案，弘揚傳統手工藝。
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Mounts Four Seasons
Bamboo and Coloured Filter
18m (L), 8m (W) and 2.4m (H)
DEC 2020
Commissioned by Art Promotion Office; Housed at Trade and Industry Tower, HKSAR Government
Mounts Four Seasons
Mounts Four Seasons can be perceived as four mountain ranges, also mimicking the form of traditional Chinese folding screens. The screens with various layers and porosity marry with the seating that shapes spaces with one another, curating a Chinese landscape painting ambience in a contemporary setting. The artwork creates a resting place which possesses different characters and offers choices from being open to secluded, redefining the lobby space of the Trade and Industry Tower.
Behind the glass curtain wall, the lobby is immersed in plenty of sunlight and the artwork celebrates this superb spatial condition of the venue. Through the mix of coloured fabrics and their relationship to varying sun angles, the screen-like seat backs represent the ‘Four Noble Ones’ - spring orchid, summer bamboo, autumn chrysanthemum and winter plum blossom, which usually refer to the virtues of ancient Chinese literati. These features thus take turns to become the highlight throughout the year, creating a refreshing atmosphere and spatial experience in the premises across four seasons.
As an art installation in a benchmark green building, Mounts Four Seasons not only blends into daylight, the use of bamboo for the structure and decoration advocates appreciation for natural materials. As the artisan of the artwork, local bamboo master Mr Hui Ka-hung also collaborated in the design by weaving patterns symbolizing the ‘Four Noble Ones’, to propagate the art of traditional handicrafts.
四巒有時
《四巒有時》像四重山巒，造型同時糅合了中國屏風的元素。「屏風」疏密有序，結合藝術座椅，相互輝映，互相配合，形成猶如中國山水畫中若隱若現的風景，重新塑造工業貿易大樓的大堂為一個具多元個性且能讓人自在歇息的空間。
玻璃幕牆下，大堂陽光充裕，作品強調了這優秀的空間條件。屏風型的椅背分別呈現「四君子」── 春蘭、夏竹、秋菊、冬梅之特色，透過布藝的顏色配搭和四季的日射角度變化，此「四巒」在一年中輪流成為主調，營造場地四時多變的氛圍及空間體驗。
作為環保建築內的藝術裝置，《四巒有時》除了配合天然光外，亦選用竹作為結構和裝飾物料，表現出對自然的崇尚。負責建造的紮作師傅許嘉雄更參與設計，加插了象徵「四君子」的編織圖案，弘揚傳統手工藝。
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CHENG Chi-ming, Carl 鄭志明
Born in 1971 in Hong Kong, where he lives and works, Carl Cheng holds a Bachelor of Business Administration degree from the Chinese University of Hong Kong and received his Master of Fine Art from the RMIT University with the Outstanding MFA Achievement Award in 2008. He works with all kinds of media but mainly installation and drawing. His works feature issues on urbanism, human condition and game theory. Cheng held solo exhibitions in 1998, 2001, 2008, 2009, 2012 and 2013, and was awarded Bloomberg Emerging Artist in 2009. He has been invited to work on many site-specific installations including Soaring Dragon, a work newly commissioned by the Esplanade Theatres on the Bay Singapore for the Huayi Chinese Festival of Arts in 2014.
鄭志明
鄭志明一九七一年在香港出生，為澳洲皇家墨爾本理工大學藝術碩士（獲該屆畢業生傑出成就獎）及香港中文大學工商管理學士。鄭氏創作媒介廣泛，主要為裝置及繪畫，作品探討城市化、人類狀況及博弈論。鄭氏曾於一九九八、二零零一、二零零八、二零零九、二零一二及二零一四年舉辦個人藝術展，二零零九年獲選為Bloomberg新一代藝術家。場地特定及與觀眾互動的大型裝置也多見於鄭氏的創作，近期作品包括二零一四年新加坡濱海藝術中心委約的華藝節作品《飛龍在天》。
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CHENG Yat-sze, Austin 鄭逸思
Working across different fields, including writing, lyrics, design, shooting and music, he has taken up various editing, reporting and design work, and has studied in France and the States. After working as a brand designer, Austin has worked for Renaissance Foundation and Ear Up Music, to promote artistic work and connect creative communities.
多棲創作人，寫作、填詞、設計、拍攝、音樂等不一而足。曾擔當各類編採及設計工作，並留學法國及美國。回港後曾任職品牌設計師，曾於「文藝復興基金會」及「搶耳音樂」專責傳訊，推廣藝文創作、連結創意社群。
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CHU Wai-chak, Victor 朱偉澤
Victor graduated from Queen’s College in 2019, and is currently studying at Kingston University, London, majoring in Fine Art. Aiming to resonate instead of being something to inspire, his works consolidate the concepts of the uncertainties and unknowns in our society by performing abstract structure and combination of visual elements.
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DR CHUI Pui-chee徐沛之博士
Born in Hong Kong in 1980, Dr Chui apprenticed under Mr Jat See-yeu and Professor Wang Dong-ling. After graduating from Queen's College, Hong Kong in 1999, Dr Chui took his first degree at the Department of Fine Arts of The Chinese University of Hong Kong (CUHK). He furthered his postgraduate studies at the Department of
Chinese Calligraphy of China Academy of Art, where he obtained his Master of Arts and Doctoral Degree.
Dr Chui has served as a programme coordinator at the School of Continuing and Professional Studies, CUHK and a part-time lecturer at the Hong Kong University of Science and Technology. He has been an Honorary Advisor of the School of Continuing and Professional Studies, CUHK. He has also worked in the Chinese Paintings and Calligraphy Department of China Guardian (HK) Auctions Co., Ltd. Dr Chui is currently a part-time lecturer of CUHK and Hong Kong Baptist University, an executive member of The Jiazi Society of Calligraphy and Friends of Shizhai, as well as a research fellow of Modern Calligraphy Research Center of China Academy of Art.
In 2012, Dr Chui received the Hong Kong Contemporary Art Awards - Young Artist Award, presented by the Leisure and Cultural Services Department. He also received the Award for Young Artist (Visual Arts) at the Hong Kong Arts Development Awards 2015 organized by the Hong Kong Arts Development Council. He was a finalist of The Sovereign Asian Art Prize 2015, 2018 and 2020. Some of Dr Chui’s artworks were collected by the Hong Kong Museum of Art, Ashmolean Museum of Art and Archaeology of University of Oxford and private collectors. His recent selected exhibitions include ‘Classics Remix: The Hong Kong Viewpoint’, ‘Dawn Chorus, Happen with HART’, ‘The 2020 Sovereign Asian Art Prize: Shortlisted Finalists Exhibition’.
徐沛之博士，1980年生於香港，師從翟仕堯老師及王冬齡教授。1999年於皇仁書院畢業，先後獲香港中文大學藝術系學士、中國美術學院書法系碩士及博士學位。
徐博士曾任香港中文大學專業進修學藝術及設計課程統籌、香港科技大學兼任講師、香港中文大學專業進修學院課程榮譽顧問，以及任職於中國嘉德（香港）國際拍賣有限公司中國書畫部。現為香港中文大學及香港浸會大學兼任講師、甲子書學會執行委員（學術）、石齋之友執行委員，以及中國美術學院現代書法研究中心研究員。
徐博士於2012年獲康樂及文化事務署頒發「香港當代藝術獎」的「青年藝術家獎」，及後於香港藝術發展局舉辦的「2015香港藝術發展獎」獲頒予「藝術新秀獎（視覺藝術）」，並於2015、2018及2020年三度入選「傑出亞洲藝術獎」。徐博士的作品獲香港藝術館、英國牛津大學阿什莫林藝術與考古博物館及私人收藏。近年重要展覽包括：「原典變奏—香港視點」、「晨曦之聲」以及「2020 Sovereign傑出亞洲藝術獎」。
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FAN Ka-mak, Moses 范珈陌
Moses Fan graduated from Queen’s College in 2019. He is now studying for a degree in architecture at the University of Hong Kong. Most of his works are line drawings documenting the relationship of space, time, and movement.
范珈陌畢業於2019年。現時他在香港大學主修建築。他的作品主要以線圖表達空間、時間和動態表現。
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KO Siu-hong, Hong 高少康
Profile 簡介:
高少康，著名設計師，靳劉高設計合夥人。
2000年畢業於⾹港中大型學藝術系，2002年獲得志奮領留英獎學⾦，並赴倫敦印刷學院進修設計碩⼠課程。現任靳與劉設計合夥⼈，為中國與⾹港新⼀代設計界的代表人物。
專注設計專業發展⼆⼗多年間，保持著對藝術⽅⾯的熱誠與探索。多年的創作經驗及敏銳的洞察⼒， 亦使其個⼈藝術作品滲透出獨特的視覺⾯貌。 2016年於今⽇美術館「兩地三代四⼗載」展覽中展出。 「天下太平100」的系列創作，及後受邀「透鏡-2017中國當代藝術展」展出作品，創作備受關注。
Exhibit(s) with captions 作品及說明:
【星星孩子的情書】是小盒子創辦人邸翩和著名設計師高少康提出的一個持續性社會實踐計劃。針對自閉症兒童成年後就業率不到1%的現況，旨在通過藝術家與設計師的介入，讓有藝術特長的星星孩子以藝術創作者的身份參與藝術作品的創作、展示、銷售、商業授權等社會性活動，以藝術創收，擁有穩定工作，獲取自信與尊嚴，互助互長，實現人生價值。高少康與孩子們共同創作，讓在藝術方面有突出表現的孩子們，走出自己的世界，來到公眾的視野中。
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KWAN Ho-chung, Ken 關號中
畢業於2014年，現為市場推廣從業員及多媒體創作人。
平日喜歡透過街拍，觀察並拍下途人的互動情況，以影像紀錄生活點滴。
在初中的時候，因接觸到攝影和平面設計，從而培養出對視覺藝術學科的濃厚興趣。
自高中起，便參與校內多項設計活動，當中包括學會海報及壁報、社衫、開放日紀念品及學校官方風褸。
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LAI Cheuk-kit, Kit 黎卓傑
Kit graduated from the Education University of Hong Kong with a major in Business Studies and a minor in Visual Arts. He is currently teaching visual arts at his alma mater. He believes teaching arts enables students to see and understand the world from a different perspective and it helps foster students’ individuality.
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POON Cheuk-hei, RYAN 潘焯熹
Graduating from Queen’s College in 2013, Ryan Poon continued his studies at The Hong Kong Polytechnic University and graduated with First Class Honours in BA(Hons) Environment and Interior Design. He also obtained a Master of Landscape Architecture (MLA) degree at the University of Hong Kong. Ryan is currently working as a landscape designer and interior designer.
Awards that Ryan won include Asia Design Prize 2022 (Kirin+lab), Muse Design Award 2022 Silver Award (JumboGlobe) & Platinum Award (lead8) in 2021, Salute Paris Honorable mention in 2021, 1st runner up of HKILA YLAG 2021 & HKIUD Urban Design Awards 2021 Merit.
潘焯熹 - 2013年皇仁書院畢業生。於香港理工大學環境及室內設計取得一級榮譽學士學位，並完成香港大學景觀建築(MLA)碩士課程。現職為園境設計師和室內設計師。
曾獲得的獎項包括，亞洲設計獎2022(Kirin+lab)，繆斯設計獎2022銀獎(JumboGlobe)及2021白金獎(Lead8)，2021年致敬巴黎優異獎，園境學術設計比賽2021亞軍和香港城市設計學會比賽2021優異獎。
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TSE Yun-ting, Alex 謝潤霆
Alex graduated from the Institute of Textiles and Clothing of The Hong Kong Polytechnic University. He was awarded the ‘Overall Grand Award’ in the graduation show, as well as a finalist in the 2020 HKYDC (Hong Kong Young Fashion Designers’ Contest) and HKYDTA (DFA Hong Kong Young Design Talent Award). He likes telling stories in his clothing, which is a form of expression on what he is going through and believes in at a specific time of his life. By exploring different ways of pattern cutting, unique combinations of textures and colour palettes, he believes that there is something very human about how different elements come together to form a piece of garment, which is an organic process that entails endless possibilities.
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WONG Chun-heng Henry 黃俊鏗
二零一四年於皇仁書院畢業後，入讀了浸會大學主修國際新聞，副修人文系。畢業後，從事廣告及營銷行業，也曾參與各類型商業攝影項目。攝影是我紀錄生活的媒介，平常喜歡於街上抓拍，把正經歷變化的香港仔細記錄下來。這次提交的作品大多是用手機拍攝。它們未必是最多人喜歡的照片，但它們就是我眼中的香港。如果想看我其他的作品，可以到我網站(https://henrywchh.wixsite.com/home)，或追蹤我的Instagram @lazyykurt。
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DEVOID is inspired by the significance of human emotions in the Romanticism era. The collection also explores how humans have evolved to contradictorily cope and survive by being emotionally detached nowadays. It is a reminder from historical aesthetics, that amidst the chaos in our life, we shall never lose emotional awareness and consciousness.
Emotional detachment is the diminished awareness of one’s emotions or thoughts driven by self-preservation. This core concept is transformed into fashion items through heavy referencing to studies on cold-blooded animals and humanoid robots as embodiments of the apathetic.
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Ryan Poon, Kirin Leung (Kirin+lab)
Growing Tree
Installation, Bamboo laminate and aluminium strips
2021
The design aims to showcase the beauty of growth in nature through material innovation and invention. The tree was designed with 10 modules scripted in a random yet orderly manner which mimics the order in nature itself. In this project, we have invented a new material especially for this art piece - a special synthetic material made by bamboo laminate and aluminium strips. We used a special production technique to avoid delamination of bamboo on aluminium. The strips combined the strength of bamboo’s elasticity and aluminium’s strength, a perfect material to solve the 10+m long-span issue. The flexibility of the material can also fully express the tree branches’ organic curvy form. Lighting is designed to allow lights to shine through the strips and create beautiful shadows underneath the installation art. 3D fabrication and parametric tools are used in our design process.
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街景
電腦繪圖
Streetscape
Computer aided drawings
1650 x 540 mm
2022
作品為比例1：120的街道俯視圖，記敍佐敦寶靈街的日常活動。透過記錄街道、排檔和店舖的活動和各方使用者對空間界限的定義, 作品表達了箇中的關聯和互動。
This is a plan drawing showing a streetscape, which is viewed from above in the scale of 1:120. The interpretation of spatial boundary, and movement of street and businesses illustrates the tension between operations and daily activities happening in paidongs and shops in Bowring Street, Jordan.
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